BOOK

“Buried In Noise” monograph ed. Carsten Seiffarth and Ingrid Beirer, Kehrer Verlag, Heidelberg



PUBLISHED ARTICLES

2017 Entre Limites/Zwischen Grenzen catalog essay Berlin/Mexico

2016 “How we made Cave Art” in “Tube Dust Drone – Brückenmusik 1995-2015”

2015 “Die beharrliche Vergangenheit” in Positionen 103, May 2015

2013 “Todd Walker – Anticipating the Digital” catalog essay

2011 “On Sonic Spaces” in Sound, ed. Caleb Kelly, Whitechapel Gallery Series on Art, MIT Press

2010 “Interview with Paul DeMarinis” lead article in Computer Music Journal, vol 34 no. 4
"Formen, Spuren und Löschungen" ("Figures, Traces, Erasures"), in Klangräume der Kunst, Peter Kiefer, ed. Kehrer Verlag, Heidelberg, 2010 pp. 237-257

2008 “Erased Dots and Rotten Dashes – How to Wire your Head for a Preservation” in Media Archaeologies Reader, ed. Erkki Huhtamo, U.C. Press (Chinese translation published 2019)

2006 “Firebirds” in The Iowa Review Web, University of Iowa

2004 “Anticipating the Digital: The Early Digital Explorations of Todd Walker” delivered at the Society for Photographic Education

2002 “Messengers and Kings” in (a), Journal of Culture and the Unconscious, Vol. II #1, California Psychoanalytic Circle, ISSN 0-1534-7281

“Emblemata Panhuyseniana”, in writings by and about Paul Panhuysen, ed. Rene van Peer, Edition MusikTexte, Koln, Germany

1999 "An Archaeology of Sound: An Anthropology of Communication" in Art and Innovation - the Xerox PARC Artist-in-Residence Program Craig Harris, ed. M.I.T Press, Cambridge, MA. 1999

"The Lecture of Comrade Stalin..." Leonardo Music Journal 8 1-92(1998), MIT Press, Cambridge MA, 1999 ISSN 0961 1215

1998 "The Galvanos of Paul Panhuysen", Table of the Elements, Atlanta, GA. CD-45

"The Messenger" Galerie Metronom, Barcelona, Catalog 1997-1998

1996 "Jerry Hunt" for Lattice, CRI Records CD713

1995 On "Gray Matter" for exhibition brochure, Center for the Arts, San Francisco

1993 "Essay in Lieu of a Sonata" San Francisco Art Institute exhibition brochure, republished 1995 in Apollo Record booklet.

"The Boy Mechanic - Mechanical Personae in the Works of Jim Pomeroy" in For A Burning World Is Come To Dance Inane ed. Tim Druckery and Nadine Lemmon Critical Press, New York 1993 ISBN 1-883831-00-8

"To Fall Standing" Exhibition brochure for Rebecca Cummins, Artspace, Sydney, Australia

1991 "An Unsettling Matter" and "Mechanization Takes Command:Verses from Giedion's Bible" Ars Electronica 1991 catalog ISBN3-85329-907-5

1979 "Drifting Harmonies" On the Music of David Behrman in "Music with Roots in the Aether" ed. Robert Ashley, Edition MusikTexte, Köln

1975 "The Pygmy Gamelan" score and circuit, Asterisk Magazine, Ann Arbor, Mich.


DISCOGRAPHY

2020 "She's More Wild"
12" vinyl LP

"Sleep : A Pentitent's Journey"
available on Bandcamp streaming + cassette

"Tunnel of Love"
available on Bandcamp streaming + handcut 7-inch flexidisc

2019 “Songs Without Throats” Black Truffle Records BT041
some reviews: review    review    review

2010 “Mechanization Takes Command” on “Sound Art from Apollohuis” Wergo 20692

2007 The League of Automatic Music Composers, New World Anthology of Recorded American Music, New York CD80671-2 DIDX#126527

2003 “In Sara, Menken, Christ and Beethoven There Were Men and Women” Robert Ashley and Paul DeMarinis (1974) Lovely Music Ltd. New York

2000 "Vocal Variety" on Volume, “Bed of Sound” P.S. 1, New York

1999 "The Lecture of Comrade Stalin..." Leonardo Music Journal CD, MIT Press, Cambridge MA

1995 "The Edison Effect - A Listener's Companion" Apollo Records ACD039514

1994 "Wireless Telephony" on "Ääni Kalenteri - A Sound Calendar" Kruunuradio/MUU Helsinki

1993 "The Dream Advisor" on "Pieces pour Standards et Repondeurs Telephoniques" Nouvelles Scenes Compact Disc NS-01

1991 "Music as a Second Language" Lovely Music Compact Disc 3011

1989 "Mind Power" Tellus Cassette #22

1988 "I Want You" and "Kokole" Music and Arts Compact Disc CD176

1985 "Eenie Meenie Chillie Beenie" and "Yellow Yankee" Tellus Cassette #9

1981 "She's-a-Wild" Record Records RR101

1980 "If God Were Alive ( & He Is ) You Could Reach Him By Telephone" and "Forest Booties" Lovely Music VR106

1979 "Great Masters of Melody" on Blue Gene Tyranny's "Just for the Record" Lovely Music Records

CD-ROM 1995 "The Edison Effect - A Voyeur's Companion" Artifice #2 ISSN 1357-0498



SELECT BIBLIOGRAPHY



2015 メディア考古学:過去・現在・未来の対話のために 単行本

2012 Interview by Renny Pritikin, Art Practical

2011 chapter on work in “What is Media Archaeology” Jussi Parikka, Polity Press, UK

“The Haptic Interface: On Signal Transmission and Events” Bodil Marie Stavning Thomsen in “Interface Criticism: Aesthetics Beyond Buttons” Aarhus University Press, 2011

“Transmission Arts – Artists and the Airwaves” Galen Joseph-Hunter ed. PAJ Publications, 2011

“Art contemporain nouveaux medias” Dominique Moulon , éditions Scala, Paris, 2011

2010 50 min radio feature on Paul DeMarinis by Melanie Uerlings for Deutschlandfunk broadcast May 14, 2011

"Singuhr - Hörgalerie in Parochial - Sound Art in Berlin 1996 - 2006" ed. C. Seiffarth, M. Steffens Kehrer Verlag, Heidelberg, 2010 pp.112-113

Tesla Berlin medien>kunst>labor 2005-2007, catalog, Alexander Verlag, Berlin, eds. Broeckman, Schneider, Seiffarth pp 92-93

Neue Zeitschrift für Musik - 3 - May - June 2010 pp. 50-52

Melanie Uerlings: Von der Re-Enfindung audiophiler Technologien zur Kinematographie - Der Klang- und Medienkunstler Paul DeMarinis

"Cracked Media - The Sound of Malfunction", Caleb Kelly, MIT Press, Cambridge, 2009 
 ISBN-10:
0-262-01314-2
ISBN-13:
978-0-262-01314-7 pp. 296-301

Art + Science Now, Stephen Wilson, Thames & Hudson, London, 2010 ISBN - 9780500238684

2008 Kenneth Baker, San Francisco Chronicle, Sept 13, 2008 pg E10

2007 Annie Buckley in ArtForum online

Kim Beil” ‘Sound and Motion” at SolwayJones, Artweek, Nov. 7, 2007

“Between Bach and a Bard Place” by Douglas Kahn in MediaArtHistories ed. Oliver Grau, MIT Press, 2007

“Reflections in a Chinese Mirror” review of “Light Rain” at Shanghai Biennale by Richard Vine, Art in America, May 2007

2006 Art et Eau, Area Revue No. 12, Paris 2006 ISBN 2-35276-003-8

2005 Cross Platform by Julian Cowley, The Wire, p.76, October 2005 ISSN 0952-0680

2004 Erkki Huhtamo “An Archaeology of Networked Art: a symptomatic reading of ‘The Messenger’ by Paul DeMarinis” in Networked Narrative Environments, Andrea Zapp, ed. Manchester Metropolitan University Press, Miriad / Fact, Manchester, U.K 2004 ISBN 1 900756 24 2

“New Theater Lifts Experimental Showcase” Josef Woodard, LA Times Mon. Feb 2, 2004

Theresa Johnston, Stanford Report, March 10, 2004

10 minute segment on KQED Spark series, March 24 & 26, 2004

Kenneth Baker, San Francisco Chronicle, May 15, 2004

-“Firebird,” Clark Buckner, SF Bay Guardian, May 5, 2004

review by Silke Tudor, SF Weekly, June 2, 2004

“Feuer und Flamme” Interview by Anja Osswald, Zitty Magazine, Berlin July 7, 2004 pp 66-67, review p 75.

“Feuervogel in Turm” Tom Mustroph, Neues Deutschland July 14, 2004 pg 13

“Flammende Reden” Wolfgang Fuhrmann, Berliner Zeitung, July 23, 2004, pg 24

“Flammende Worte” , bke, Tagesspiegel, July 29, 2004

2003 “Airport/Earport” Michael Ottey, Miami Herald, Sunday May 18, 2003 Frankfurter Rundschau, April 2, 2003

Suddeutsches Zeitung March 31, 2003

MusikJournal, Deutschlandfunk, March 24, 2003

“Torch Song”, Mingus, La Vanguardia, Barcelona, Spain Jan. 23, 2003

2002 Oriental Daily News, Hong Kong, 5 November 2002

Hong Kong Economic Journal 14 November 2002

Information Arts, Steven Wilson, MIT Press, 2002, pp 239,399-403,782, ISBN 0-262-23209-X

2001 “’Lifelike’ at New Langton Arts” John Rapko, Artweek Sept. 2001

"Paul DeMarinis at Williamson Gallery" by Doug Harvey, Art Issues #66 Jan.-Feb. 2001

Neues Volkblatt, Linz Austria, 1 Sept. 2001

“Paul DeMarinis” essay by Timothy Druckrey, exhibition catalog, Bits & Pieces, U. of Hartford.

2000 "Paul DeMarinis at Braunstein/Quay" by Mark van Proyen, Art in America, June 2000

"The Revenge of the Nephew" by Douglas Kahn, U.C. Davis, Davis, CA, 2000

“Each Merce Cunningham Event…” Jack Anderson, N.Y. Times Nov 13, 2000

"Excavating Sounds:On the Art of Paul DeMarinis" by Erkki Huhtamo in The Media Art of Paul DeMarinis, Galleria OTSO, Helsinki, 2000 ISBN 951-857-395-6

"Luuranko tansii sähköpostin" Arja Maunuksela, Helsingin Sanomat, Helsinki, February 20, 2000

1999 "Making Beautiful Noise - Paul De Marinis' Sound Machines" by Barry Willis LIMN Magazine of International Art & Design, Volume 1, Number 4

"A Bucolic Honeymoon for Art and Science" by Anna Novakov, The New York Times, Arts & Leisure section Sunday, August 15, 1999

1998 "Pause and Reflect - Sound Art from the Bay Area" by David Hunt, Merge Magazine #2 Fall 1998, Stockholm Sweden

"Communication, One Letter at a Time" by Fernando Barenblit, ICC Journal #25, Tokyo

"Paul De Marinis" by Sylvain Campeau, Parachute #91, Montreal

1997 "Victorian Science Tried to Forge Synaesthesia.." Interview with Paul DeMarinis by Shun'ichi Shiba, InterCommunication Journal No. 22, NTT Publishing Co, Tokyo, Japan ISBN T1101771101404

"Virtual Reality's Place" by Dean MacCannell in Performance Research 2(2) Routledge, 1997

Electric Sound by Joel Chadabe, Prentice Hall ISBN 0-13-303231-0

1996 "An Archaeology of Sound" by Erkki Huhtamo in Siksi - The Nordic Art Review XI No. 4

"Paul DeMarinis" by Hisako Ifshin, BT Art Magazine, Tokyo, Dec 1996

"Paul DeMarinis at Bravin Post Lee" Art in America, April, 1996

"Time Travelling in the Gallery" by Erkki Huhtamo in Immersed in Technology ed. Mary Anne Moser, MIT Press ISBN 0-262-13314-8

1995 "Surface Noise on the DeMarinis Effect" Douglas Kahn, Apollo Record Booklet

"Excavation Area - A Virtual Gallery of Archaeological Art" by Erkki Huhtamo InterCommunication Journal #14 October 1995 N.T.T. Publishing, Tokyo ISBN T1001771102008

"Paul DeMarinis at Center for the Arts" by Kenneth Baker, San Francisco Chronicle, August 19, 1995 1993 "Paul DeMarinis" Kenneth Baker, ARTnews, September 1993

"The Edison Effect" Charles Boone, Pform, Fall 1993

"Edison's High Tech High" Kenneth Baker S.F. Chronicle March 15, 1993

"Wired for Sound" Barbara Fisher, Artweek, March 18, 1993

"Paul DeMarinis" Ron Kuivila S.F. Art Institute exhibition brochure

1992 "Foolproof Gesture" Macworld August 1992

"The Melodic Voice Box" interview by Shaun Davies, Essays In Sound contemporary Sound Arts, Sydney Australia ISBN 0 646 129244

Review of "Music as a Second Language" Mike Silverton, Fanfare March/April 1992

1991 "Black Box S-Thetix" Jim Pomeroy in Technoculture eds. Constance Penley and Andrew Ross U. Minnesota Press 1991 pp. 283-288 ISBN0-8166-1932-8

1989 "Paul DeMarinis' Pygmy Gamelan" in The Voice of New Music ,Tom Johnson, Apollo Art About, Eindhoven NL. 1989 ISBN 90-71638-09-x